Burmese Lacquer Betel Box 03

(inclusive of taxes)

All orders are insured for transit.

This item cannot be shipped outside India.

Request Information

Request A Call Back

All orders are insured for transit.

This item cannot be shipped outside India.

Details

Size:	6 x 6 x 5.5 inches
Material:	Lacquer and Bamboo
Condition:	Minor Chips in Lacquer

Description

This is a beautiful Burmese black and green lacquerware paan or betel (kun-it) box - a traditional item of hospitality in Burmese homes used to offer to visitors. On the lid and side in black medallions are engraved chin-thes, a highly stylized leogryph (lion-like creature) typical of Burmese iconography. The lion represents Mars (and Tuesday), as the day of the week you are born in Burma is important in choosing a name, a spouse, or a business partner. Around this is a chequered (za-yun) design with groupings of four in cream, and around this a larger filled square decoration of green. This type of design was influenced by textile designs introduced by Europeans. The inside of the box is red and there is an additional tray decorated with black and green circular designs on the base and sides. It would take months to make a piece like this with such complex designs.
Hand-painted on the side are the initials A.V. added later - this was done because Chettiars typically belonged to large joint families, with each branch of the family owning very similar objects of their diasporic heritage. It was important to etch their belongings (valuable or utilitarian) with initials, clearly indicating ownership. Boxes like this were used to store the ingredients to make paan, which in its basic form consists of slices of betel nut mixed with lime paste wrapped in betel leaf. The different compartments in the box would contain these ingredients, or even coconut, saffron, fragrant spices or rose preserves for more special preparations. “A maze of sumptuary laws decreed the size, the extent of decoration, and the material permitted for the betel boxes of the various grades of courtiers” - Sylvia Fraser-Lu. Similar Burmese paan boxes can be found in the Victoria and Albert Museum, London. (Ref: Pages 68, 69, and 92 of the book ‘Burmese Lacquerware’ by Sylvia Fraser-Lu.)

Description

This is a beautiful Burmese black and green lacquerware paan or betel (kun-it) box - a traditional item of hospitality in Burmese homes used to offer to visitors. On the lid and side in black medallions are engraved chin-thes, a highly stylized leogryph (lion-like creature) typical of Burmese iconography. The lion represents Mars (and Tuesday), as the day of the week you are born in Burma is important in choosing a name, a spouse, or a business partner. Around this is a chequered (za-yun) design with groupings of four in cream, and around this a larger filled square decoration of green. This type of design was influenced by textile designs introduced by Europeans. The inside of the box is red and there is an additional tray decorated with black and green circular designs on the base and sides. It would take months to make a piece like this with such complex designs.
Hand-painted on the side are the initials A.V. added later - this was done because Chettiars typically belonged to large joint families, with each branch of the family owning very similar objects of their diasporic heritage. It was important to etch their belongings (valuable or utilitarian) with initials, clearly indicating ownership. Boxes like this were used to store the ingredients to make paan, which in its basic form consists of slices of betel nut mixed with lime paste wrapped in betel leaf. The different compartments in the box would contain these ingredients, or even coconut, saffron, fragrant spices or rose preserves for more special preparations. “A maze of sumptuary laws decreed the size, the extent of decoration, and the material permitted for the betel boxes of the various grades of courtiers” - Sylvia Fraser-Lu. Similar Burmese paan boxes can be found in the Victoria and Albert Museum, London. (Ref: Pages 68, 69, and 92 of the book ‘Burmese Lacquerware’ by Sylvia Fraser-Lu.)

Read More
ABOUT Burmese Lacquerware

While Yun-de, or lacquerware in Burmese, is considered a minor art in most countries, in Burma, it has been a dominant industry for the last three centuries. Burma acquired the techniques of production from China, where lacquer has been in use for over 3,000 years. Burmese royals often presented lacquerware as gifts to foreign envoys, and food in their banquets was served on lacquer dishes. They used lacquer boxes to store jewellery and scarves. Objects embellished with lacquer even played an important role in Buddhist religious ceremonies. But the use of lacquerware was not restricted to royalty and monkhood; lacquer objects were used daily by commoners to store food, refreshments, clothing, cosmetics or even flowers. The importance of lacquer to the Burmese is probably equivalent to the modern use of porcelain, glass and plastic combined (source: Burmese Lacquerware, book by Sylvia Fraser-Lu).

The lacquer (thit-si) is the sap tapped from the varnish tree (or thitsee) that grows wild in the forests of Myanmar (formerly Burma). It is straw-coloured but turns black on exposure to air. When brushed or coated, it forms a hard glossy smooth surface resistant to moisture or heat. Lacquer vessels, boxes and trays have a coiled or woven bamboo-strip base often mixed with horsehair. The sap is then mixed with ashes or sawdust to form a putty-like substance, which can be sculpted. The object is coated layer upon layer to make a smooth surface, and then polished and hand engraved with intricate designs. As the lacquer is very thin when applied, it requires many coats to provide an even finish. The preceding coat must be completely dry and highly polished before applying the next one. With some objects having as many as 100 such layers, the production of lacquerware was a time consuming and expensive business. It could take three to four months to finish a small vessel, and over a year for a larger piece.

Lacquer pieces came to India, specifically Tamil Nadu, through the Chettiars - a community of Indian traders, merchants and land owners, some of whom had moved to Burma. “Indians had lived in Burma for centuries, but large-scale migration took place during British-colonial rule, when the country was part of British India, during the 19th and early 20th centuries. They were used as civil servants, traders, farmers, labourers and artisans – and came to be considered the backbone of the economy.” (Source: BBC) The Chettiars originated in the Chettinad region of Tamil Nadu (about 75 villages, east of Madurai), and have been credited with the expansion of Burma’s agrarian economy. Many were also private financiers, and these banking families, although based in Burma for several generations, maintained their links with Chettinad, returning there for family events such as weddings. The family houses were kept up for this purpose and were filled with fine materials from Burma, including lacquer vessels, some of excellent quality.

Read More

Details

Size:	6 x 6 x 5.5 inches
Material:	Lacquer and Bamboo
Condition:	Minor Chips in Lacquer

Returns

We accept returns within 7 days of delivery if the item reaches you in damaged condition.
Shipping

Shipping costs are extra, and will be calculated based on the shipping address.

All orders are insured for transit.

This item cannot be shipped outside India.

SHARE